Posts Tagged: Lucy Suggate

gratification

Working with Lucy Suggate for two sessions has conjured an interest in the manipulation of space and the relationship between dance and arguably unlikely performative spaces such as galleries and museums.

After reading about the new collaboration between these two art genres for ‘Dancing Museums’ I was motivated to question the relationship between audiences and those contrasting forms.

I see a still painting or sculpture for example in its stillness and at face value the art will always represent itself in the same way (although may provide new meanings or concepts at each glance). I do not need much more than what the artist has created on that blank canvas or with those materials in order to create that captured moment. Additionally when we watch dance works we are seeing the development of decisions in the space for time frames that vary between minutes and hours.

As an audience member I feel dance provides itself with a longevity from the moment you arrive. The beginning to the end. A work unravels to become itself throughout its existence. There is not much you can claim at face value without taking into account the substance, that when compared to a painting would be the strokes on the canvas. This then encourages me to consider the idea of maintenance with choreography.

Do we attempt to create a time frame of produce that will grip the audience from start to finish? Can we envisage that our tools are not far from the paint and the paint brush? Therefore can audiences arrive in our work like looking at a still form? With or without stillness?

The art forms are arguably very different therefor incomparable in this audience/artist exchange and there are many elements to consider that I have quickly skimmed over, although I feel at this starting point the relationship between the two particularly in ‘Dancing Museums’ fuels an interest.

Within both forms of art I enjoy committing to works and unravelling the hidden messages that surface to my individual eye. I am aware that I may explore possibilities  deeper inside the simplest of creations, when my mind is left to roam with just enough but by all means not masses of information. These similarities and contrasts spark an invitation to consider the different ways one digests the two Art forms/as well as how as an artist we can channel these thoughts into our creating.

Suggesting that your offering of work is your exhibition, gallery or museum to me encourages a shift in focus. I hope to catch some of the works performed in such locations this summer and explore these concepts in the studio.

 

 

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Guest Artist – Lucy Suggate

Last week at Next Choreography, we had the pleasure of inviting choreographer and dance artist, Lucy Suggate to join us. Amongst her varied free-lance work, Lucy is the dance artist working with Siobhan Davies Dance on the Dancing in Museums project so it was great to have her with us to share some glimpses of her own solo practice.

I particularly love inviting guest artists in to our sessions at Next Choreography because it gives me the rare opportunity to both join in myself with the responsibility of leading the session, and allows me to observe the group working from more of a distance. Last week I witnessed everyone dancing with an impressive combination of abandon and concentration. I felt quietly proud.

A few thoughts from Lucy that have stayed with me:
How does material meet with space?
How can we attend to many things at once?
How might we notate/make a score for what we do?

Lucy will be with us again in a month, I look forward to seeing what might develop from that time together.

 

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